The funny thing about overanalysing Pulp Fiction is the little differences as Mark tries to figure what makes the film so iconic, how it is a perfect example of 5 act structure, and why it drives him so, so crazy when perfectly well meaning peo...

Overanalysis is a hard thing to come by these days as Mark returns to figure out what makes The Thing so paranoia-inducing, how MacReady is defined against the monster, and why Blair had Chat GPT in 1982.

Where Mark is going, he needs overanalysis as he tries to figure what makes Back To The Future so (ahem) electrifying, what any story is truly 'about', and if the whole trilogy is secretly the best sequel to Star Wars ever made.

Mark lets the overanalysis rip as he tries to figure out what makes the first season of The Bear so nerve-shredding, how it uses Sydney and Cousin Richie to express arguments within its protagonist, and if anyone else gets as excited by the ter...

If there's any magic in this world, it's in the space between Mark and a great movie as he tries to figure out what makes Before Sunrise so romantic, how the film is a masterpiece of understated structure, and why nobody has described the brill...